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LIVING AT THE INTERSECTION OF JAZZ & EXPERIMENTAL MUSIC & OYSTERS.


Upcoming Concert Presentations

INSTANT ALTER+ Dolphin Hyperspace06.05.2025
THE CROWN DOORS @7PM (21+)


2523 BROADWAY
OAKLAND 




INSTANT ALTER is a new project formed by saxophonist Emilio Modeste and vocalist Natasha Agrama, featuring drummer Myles Martinl and bassist Brandon Rose. The project is a reorientation into a new way. These four virtuosic artists join together in service of the art of storytelling, creating a new thread of music as super-bands of the past have done – such as Return to Forever – while integrating grounded Earth Songs that call to the Brazilian Tropicália movement.

Dolphin Hyperspace is a Los Angeles based electro-jazz duo led by saxophonist Nicole McCabe & bassist Logan Kane. Widely known for legendary concerts featuring instrumental madness amongst zany synths and bonkers dance beats, Dolphin Hyperspace finds a new lane of expression within modern jazz and beat culture. They often collaborate with LA’s finest drummers, namely Louis Cole & Justin Brown. A high energy electronic jazz show at its finest with uniquely dynamic production—it’s a show you’ll never forget.


JJJJJerome Ellis


10.24.2025
THE CROWN DOORS @7PM (21+)

2523 BROADWAY
OAKLAND 




JJJJJerome Ellis is a stuttering, Afro-Caribbean composer, poet, and performer. His works are invitations to healing, transcendence, communion, and deep listening. Through an interdisciplinary practice that focuses on oral storytelling, improvisation, and the interrelations between speech, silence, disability, and religion, he’s collaborated with choreographers, rappers, playwrights, booksellers, typographers, podcasters, toddlers, and filmmakers. Mr. Ellis’ work has been presented or developed by the Metropolitan Museum of Art, the Sundance Institute Theatre Lab, Lincoln Center, MASS MoCA, and WKCR. He is a writer in residence at Lincoln Center Theater. Born in Connecticut to a Jamaican mother and a Grenadian father, he was raised in Virginia Beach, VA.

As a composer Ellis was awarded a 2015 Fulbright Fellowship to research traditional samba performance and write new music in Salvador, Brazil. There he performed with local musicians at Teatro Gamboa Nova and Feminaria Musical at the Universidade Federal da Bahia. Recent sound design/composing credits include Help (The Shed), Passage (Soho Repertory Theatre), the Radical Craft Design Salon (TED Conferences), and LAB RAT by A$AP Rocky (Sotheby’s/YouTube). From 2008 to 2011, Ellis was resident composer and saxophonist with pianist Trudy Silver at 5C Cafe and Cultural Center in New York City. As a jazz saxophonist, he has performed with Joseph Daley, Aaron Scott, and Shayna Dulberger. Ellis earned his B.A. in music theory and ethnomusicology from Columbia University, studying ear training and counterpoint with pianist and composer Ramin Arjomand.

His diverse body of work includes: contemplative soundscapes using saxophone, flute, dulcimer, electronics, and vocals; scores for plays and podcasts; albums combining spoken word with ambient and jazz textures; theatrical explorations involving live music and storytelling; and music-video-poems that seek to transfigure historical archives. 


FUJI||||||||||TA


12.08.2025
First Presbyterian Church of Oakland
Doors @7PM (All Ages)

2619 Broadway
Oakland






FUJI||||||||||TA is a Sound Artist living in Japan. His unique practice utilizes various natural phenomena that respond to his interest in wanting to hear unheard sounds and unknown sounds. Instead of playing a composed piece of music, he aims to go as far as possible towards his own unknown state of being, with an emphasis on observing the sound closely.

In 2009 Fujita hand fabricated a Pipe Organ that has only 11 pipes and no keyboard. Fujita conceived and built it using his imagination, without any prior or specialized knowledge. The air pump (called “FUIGO”) which is kept moving by the left hand when playing, and is based on associations with an ancient blacksmith. This unique instrument is too delicate in its nature to be played properly without a great deal of experimentation and trial and error. Fujita has spent a long time inventing ways to play it and experimenting with ways to utilise this instrument in sound systems.